Architectural promenade Essay Example

Architectural promenade Essay Example Architectural promenade Paper Architectural promenade Paper It depends on a new conception of the function of the wall. The unit of design is no longer the cubic room but the free-standing wall, which breaks the traditional box by sliding out from the beneath the roof and extending into the landscape. This concept of architecture of flowing space, channeled by free-standing planes plays an important role in Mies later development and reaches its supreme expression in the Barcelona Pavilion of 1929. zone houses. the living, sleeping and service areas were isolate from one another in wings, separated by courts. From the horizontal line roofs, the compostion was not at rest, was not concluded or resolved, and so parted a powerful sense of dynamic. This the flow of space was force to the edge. This space became less dense in progressive contours as it ran outwards from the centre. Mies used this spatial technique to define a hierarchy of sub-spaces whitin the plan. Bathrooms, kitchens and storage space are densely confined in the centre of the plan, asn as the volume became frer towards the perimeter, so the use of space implicitly become of more consequence. Mies desing for the Tugendhat House conceived the entrance and supplementary rooms at street level. Sloping level sites provoked house desing that usually either swept out horizontal into space on concrete stalks, or used the space enclosed between a flat rood at the upper level and the slope below to give a descending arrangement of floor level culminating in a double-height section. Analysis of sectional organization Analysis of relationship between interior and exterior The court houses were girdled within walls, intovertedly, with the glazed interior spaces looking out to gardens, thence to the enclosures beyond. Instead of forming a closed volume, these independent walls, joined only by planes of glass, create a new ambiguous sensation of space. Indoors and outdoor are no longer easily defined, they flow into each other. Both horizontal and vertical screens, creating a low of space between interior and exterior. But at the same time, Mies demonstrated a new structural principle, the separation of structural elements from screening elements. Eight chrome-sheeted cruciform columns defined the space, while screen of onyx, marble and clear transparent glass channeled it. In terms of spatial continuity/discontinuity The feeling of endless, flowing space was increased by the hug, floor-to-ceiling panes of glass which formed the outer walls. In terms of fai ade expression and interior arrangements The bold structural pattern in the work of Mies van der Rohe lies in the plan. The transparency of the skin revealed the dynamic strength of the plan, repeated thirty times. Later, the plans become more symmetrical and static, the life on the inside was expressed in the classical order and refinement of the exterior; the quality of the plan can only experience at the ground level. There other means had to be found to express it in the facades. Despite the complex interior, the exterior design is so quiet that one is apt, at first glance, to miss the subtle proportions of the window band and the stairwell. Consideration of qualities of architectural promenade (how the project structures our movement through the building) In all of them aesthetic character depends on movement contained within rigid limits. The few simple elements to which Mies has reduced buildings have been admired for their serenity. But the inner movement they provoke is restless and inexorable. The interiors of Mies most original buildings are like landscapes or city streets. Between their walls the spectator may pause but seldom rest; always there is something around the corner.

Racism in Film Essays

Racism in Film Essays Racism in Film Essay Racism in Film Essay Everywhere you look you can find some type of racial stereotyping. It’s around us, in the books we read, and the films we watch. Most movies just poke fun at racial stereotyping but some movies show the harsh side of labeling a certain race. After 9/11 many people saw Middle Eastern and South Asian people as terrorists. In airports the tighter security portrayed the seriousness of the US government. However, the firmer security was only leaned toward people with specific last names, and certain nationalities would be stopped for further screenings. Another racial stereotyping present in real life and films are the arrest of dark colored men. Racial profiling against blacks have gone on for decades. The most recent reference was the Trayvon Martin case, in which a 17 year old colored teenager had a hoodie on and 27 year old Hispanic American suspected him of suspicious behavior, and shot him claiming it was self-defense. Colored people are also more likely to get stopped by the cops while driving. Men in Black II poked fun at this when in the movie, the car had a robot driver and it was a white male. Kevin Brown asks, â€Å"Does that come standard? and Agent J replies, â€Å"Actually it came with a black dude, but he kept getting pulled over. † Films usually poke fun at racial stereotyping, but some portray the harsh consequences of racial profiling. The movie American History X is about a neo Nazi group based in the United States, and how their cult discriminates Jews and colored people. Throughout the movie as told in the narration by Danny Vinyard we learn that before going to prison Derek, Danny’s older brother, was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L. A. In film, many racial profiling can be spotted. In Broadway plays, colored people were not allowed to act, thus the white males put on black make up and went on stage to play the black males or females. In the play The Scotts borough Boys the directors use the same concept of showing how racism has declined but still remains. Throughout the play the male black actors would put on black make up portraying how Broadway shows were back in the day. Near the end of the film the actors took off their make ups to show their rue self, this showed a evolution in the unity of all. It showed that people now have more rights than ever before. It shows that the minority should not be shadowed by the majority. Sometimes films don’t intentionally use racial stereotyping or if they do, they aim for a certain target audience. In a Disney movie, Aladdin, the stereotype the viewer is introduced to is the phony salesman, the bootlegger. In reality Arabs are seen as bootleggers. Some commercials have also poked fun at this racial stereotype. In Time Warner Cable ads, there portrays an Arab man trying to sell bootlegs. Also, Indians are portrayed as computer IT’s, as seen in the Metro PCs commercials. Racial profiling will always be there I believe. Even though everyone is the same on the inside, our looks separate us from one another. This separation disrupts a unity amongst us all. Thus wherever there are differences there are gaps, and whenever there are gaps, there are dislikes and oppositions, that leads to racial stereotyping.

Incentive Plan Research Paper Example | Topics and Well Written Essays - 500 words

Incentive Plan - Research Paper Example Difficulties can serve to make the team members closer and more loyal to one another; group motivation – the driving force that pushes the group forward to accomplish goals; group recognition – acknowledging the group for accomplishing goals; and group cooperation – when the individual group members combine efforts to achieve a common goal (Shepard, 2010). An important aspect of the Humanistic Era is the theorists that worked to find mechanisms within the organization to engage and reward employees for their work in accomplishing organizational goals, leading compensation and incentive programs to become popular during that time. The employee incentive program has remained an important tool to drive employee performance to leverage organizational goals. The Employee Incentive Program is described in a summary and a PDF found on the Boeing website (Boeing, 2011a; Boeing, 2011b). The official Plan document is the final â€Å"controlling document† when a read er may be in doubt as to a reference (Boeing, 2011b, para. 1). Only plan participants are legally entitled to a copy of the plan document.